all posts, DRAWINGS

‘Ali Dreams’. 2017.

 

So now on day 5 of the 100 day project and struggling to keep up with making and documenting it all! http://100daysproject.co.nz/projects/100-Days-2017/kat-robertson-285

I have been intending entering a Europe wide art competition, the deadline for which is in 3 days time. So it made sense to try and focus on using the ongoing ‘Migration/swallows’ project as the springboard for another more substansial piece.

As usual,I started and it grew from the page. Never entirely sure ‘I’ am the creator!

And so ‘Ali Dreams’ was born.

Sadly I over worked this original. But have decided to try and rework the entire piece again…..before the deadline…be brave….and enter the results!

Ali Dreams. Mixed media on fine cartidge paper (homemade charcoal, earth pigments collected from my garden, linseed oil). 300mm x 380 mm. 2017.Ali Dreams. Mixed media on fine cartidge paper (homemade charcoal, earth pigments collected from my garden, linseed oil....then clumsily applied bronze pigment). 300mm x 380 mm. 2017.

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all posts, DRAWINGS, PHOTOGRAPHIC WORK

Seeing between the branches.2017.

 

For a long while now I have been looking for ‘giants’ in the landscape towards a ‘vision’ project I am nursing.
During this time ‘looking’ I began to see many characters in the tree photographs (Treeinspired post) I was taking.
I photocopied background photographs onto cartridge paper and attempted to draw out what I could see. Great fun! In these first plays I used charcoal and pastel, fixed and altered by application of linseed oil. These are mixed mediums I am currently obsessed with and the intended medium for a future ‘Land Giant’ series that still lurks, unexpressed, in the back of my mind!

I found these mediums clumsy and unsastisfying on this scale, so have re-drawn/extended this series as A5 nib pen and indian ink. These are unfinished as I am delaying taking water to the photocopies. I know that I can, in theory, move the photocopy ink and create a wash effect, but am waiting for the right time and head space!

all posts, MANDALAS, PHOTOGRAPHIC WORK, POEMS, VIDEOS

It really is not nothing.

 

My eyes tried to follow you,

Until I was dizzy with turning.

Cadences of expert flight.

Weaving and flipping. Spinning and stalling.

Scimitar wings slicing through the air

Chattering, through out it all, as if it was, really, nothing.

 

 

 

It was nearly impossible with my hand-held, basic , digital camera to ‘catch’ good images of swallows in flight. So I ended up taking 100s of full shots and then zooming in later in Adobe Photoshop and editing the tiny crops into a set of images.
The blurry exposure this gives the images seems to work quite satisfyingly. I experimented with home printing onto watercolour paper and am pleased with the small, monochrome cards I ended up with.

Watercolour paper flight cards. 60 x 80 mm.Watercolour paper flight cards. 60 x 80 mm.

All this ‘swallowing’ has been inspired by my decision to join the 100 days project. a NZ based project that inspired an artist in Edinburgh to see who else would like to exhibit their end product, in Edinburgh, in September. Yay, something real to work towards!

I enjoyed the idea of committing to one small, creative, discipline every day and wanted to find a way to use up some of my ‘collected’ materials.

A year ago I was playing around with turning recycled, pizza, trays (we have two boys, so I have collected ALOT of these over the years!). The process was fascinating and unpredictable and I ended up with a fun collection of ‘shrinky-dinks’ and a mock-up for a mobile.

Then I found out about how toxic styrofoam is and the gases that are released on heating in this way! I ditched the idea.

But the trays are still there. They never biodegrade in refill sites. There are no local recycling options. At least half the fumes are released from the Sharpie pens I used to colour these experiments! I drive a car and my husband is a mechanic. I still use my car despite being in full knowledge of all the toxic chemicals involved in the motor trade. I accept that this process harms the environment, but , in balance, feel that this small harm is nothing to the harm being done in this wall building, people damming world outside. And it will become something more than rubbish.

That people  have become little more than ‘waste’ in todays world is something that haunts me daily and I do my best to support all actions attempting to support refugees in this humanitarian disaster.

When I considered this project I recieved a clear vision of an installation/scupture piece, which could be displayed in very many ways, using wire and hundreds of these small swallows.

I have been searching for a way to deal with the immigration crisis for a while now, as it affects me deeply. Not one for producing overtly political art (although I have always admired it) this idea seems to keep on giving!

I will spend some other studio time playing within the entire theme of ‘Migration’.

Proceeding to play with this concept has now inspired a new poem and another piece I am considering using as the basis for an entry to a major competition. Deadline in 2 days. So much to do so little time!

Time to make like a swallow!

all posts, DRAWINGS

Beltane: Sexual Revolution.

Well that was a labour of love!

The vision for this piece occured over the Beltane nights.

I have always enjoyed doodling and very much admire much of the psychedelic work available to me now through the internet. So I thought I would have a go and this is what evolved over two weeks!

This work was miraculously saved from destruction, twice, as TWO bottles of ink were spilled in the process…dip pen and indian ink is more exhausting than I remember from art college! I kind of wish I had photos of both those near disasters as they were pretty astounding, ink hit everything , but the drawing!!

So through trial of fire this has been born.

I do actually feel a little like I have given birth!

Beltane Sexual Revolution watermarked